Sylabus
Syllabus JJB148 - Fall 2019 1. Lecture - Guest from Poland (October 2nd 2019) 2. Lecture: Autenthicity - the main value (October 9st 2019)
LIT:
ROTHMAN, William: Eternal Verités. In: WARREN, Charles (eds.): Beyond Document. Essays on nonfiction Film. Wesleyan University Press, Hanover and London 1996, p. 79-99
BENNETT, Carl: Film Authenticity. Evaluation. In: http://authenticcinema.blogspot.cz/
ROBINSON, Andrew: Walter Benjamin: Art, Aura and Authenticity. In: Ceasefire. http://ceasefiremagazine.co.uk/walter-benjamin-art-aura-authenticity/ 3. Lecture: Components of Audiovisual Language (October 16st 2019)
LIT:
Components of Film Study and Analysis. In: http://www.westga.edu/~bjames/ComponentsofFilm.htm
Elements of Film Making. In: http://www.filmclass.net/ElementsFilm.htm 4. Lecture: Between two Poles: Reality and Piece of Work (October 23st 2019)
LIT:
RUSHTON, Richard: The Reality of Film: Theories of Filmic Reality. Manchaster University Press, 2013.
Realism and "Reality" in Film and Media. Museum Tusculanum Press, University of Copenhagen. 2002 5. Lecture: Between Two Poles: Objectivity and Author´s Subject (October 30 2019)
LIT:
FELDMAN, Seth: Peace between Man and Machine. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54
RUBY, Jay: The Image Mirrored: Reflexivity and the Documentary Film. In: ROSENTAHL, Alan: New Challenges for Documentary. University of California Press, Berkeley. 1988, p. 64-75
SCHINDEL, Daniel: Objectivity in Documentary Film. Moviemezzanine.com In: http://moviemezzanine.com/objectivity-in-documentary-film/
BALDWIN, Belinda: The Death of Objectivity? When Documentary Footage Becomes Evidence. Documentary.org In: http://www.documentary.org/magazine/death-objectivity-when-documentary-footage-becomes-evidence
MORRIS, Peter H.: Objectivity in Documentary. In: http://peterhmorris.com/hello-world-2/ 6. Lecture: Observational Mode (November 6st 2019)
LIT:
BRUZZI, Stella: The legacy of direct cinema. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 67-74
BENSON W. Tomas-ANDERSON, Carolyn: The Politics of the Double Bind. High school. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002 p. 197-146
BENSON W. Tomas-ANDERSON, Carolyn: Reality Fictions and the Rhetoric of Documentary. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002, p. 197-146
Modes of Documentary - Bill Nichols. In: http://www.godnose.co.uk/downloads/alevel/documentary/Doc%20Modes%20nichols.pdf
NICHOLS, Bill: What Type sof Documentary Are There? In: NICHOLS, BILL: Introduction to Documentary. Indiana University Press, Bloomington 2001, p. 99-137 In: http://www.ccm.gov.mo/prog10/mifvf/bill_nichols_6_modes_documentary.pdf 7. Lecture: Forms of Representation and Birth of Stereotype (November 13th 2019)
LIT:
BARSAM, Richard: Nanook of the North, In: BARSAM, R.: The vision of Robert Flaherty. The Artist as Myth and Filmmaker. Indiana University Press, Bloomington and Indianapolis, 1988, p. 12-27
BEATTIE, Keith: Believe Me, I´am of the World: Documentary Representation. In: BEATTIE, KEITH: Documentary Screens. Nonfiction Film and Television. Palgrave MacMillan, New York, 2004, p. 10-26
Representation. In: BLANDFORD, Steve-GRANT, Barry Keith-HILLIER, Jim: The Film Studies Dictionary. Arnold, London, 2001. 8. Lecture: Role of Stylization (November 20st 2019)
LIT:
LIPKIN, Steve: Defining Docudrama: In the name of the Father, Schindler´s List, and JFK. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999,
Sliding Scale of Realism vs. Stylization. In: http://tvtropes.org/pmwiki/discussion.php?id=9u8wbb72a7cphq78tzj9pjaj 9. Lecture: Poetic Mode (December 27st 2019)
Poetry-Film & The Film Poem: Some Clarifications. In: http://www.studycollection.co.uk/poetry.html
Movie review: Powaqqatsi: Life in Transformation. In: tetsuobroker2099. In: http://tetsuobroker2099.blogspot.cz/2012/04/movie-review-powaqqatsi-life-in.html 10. Lecture: Creative Treatment of Actuality (December 4th 2019)
LIT:
GRIERSON, John: First Principles of Documentary (1934). In: BARSAM, Richard Meran: Nonfiction Film. Theory and Criticism. A Dutton Paperback. New York, 1976.
LOVEL, Alan-HILLIER, Jim: The Documentary Film Movement: John Grierson. In: Studies in Documnetary. The Viking Press, New York, 1972, p. 9-35
BERNSTEIN, Matthew: Documentaphobia and Mixes Modes. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 397-415
MOHAMED, Sufi: Documentary Film Theory and John Grierson. In: Indiejudge. In: http://www.indiejudge.com/film-theory/documentary-film-theory-john-grierson/ 11. Lecture: Imaging of a Man/Human (December 11st 2019)
LIT:
KUEHL, Jerry: Lies about Real People. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999, p. 119-124
BRUZZI, Stella: The president and the image: Kennedy, Nixon, Clinton. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 127-152 12. Lecture: Test
Alternatives:
Lecture: Imaging of a Place/Genius Loci
LIT:
GALT, Rosalind: Pretty: Film and the Decorative Image. Columbia University Press, New York, 2011
HALLAM, Julia: Mapping the "City" Film 1930-1980. In: HALLAM, Julia-ROBERTS, Les: Locating the Moving Image. New Approaches to Film and Place. Indiana University Press. Bloomington-Indianapolis, 2014
Lecture: Imaging of a Time/Epoch
LIT:
HALL, Jeannie: Don´t You Ever Just Watch? In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54
HAGITH, Toby-NEWMAN, J
Anotace
Course aimed at methods of interpretation of reality by tools of audiovisuality. 12 lectures provide theoretic approaches of (particularly) non-fiction film to relationship between "objective" reality and "author´s subjectivity". Thesis are demonstrated by excerpts of classic and contemporary documentary films.
A lecturer apply also his filmmaker´s point of view at a process of creativity.