Charles Explorer logo
🇬🇧

Literary Interpretation II

Class at Faculty of Education |
OB2301033

Syllabus

1. ACHETYPAL STORY REFASHIONING

Andrew Lang: The Blue Fairy Book: “Beauty and the Beast” (1889) + Angela Carter: The Bloody Chamber and Other Stories: “The Courtship of Mr Lyon” (1979)

FOCUS: fairy tale, postmodernist refashioning of archetypal story   2. POSTCOLONIAL DEFAMILIARISATION

Nadine Gordimer: “Once Upon a Time” (1989) + “The Ultimate Safari” (1989) from Jump and Other Stories (1991)

FOCUS: Postcolonial literature, irony, defamiliarisation   3. HISTORY AND HIS STORY

Chimamanda Ngozi Adichie: “A Private Experience” (2008) + “The Headstrong Historian” (2008)

FOCUS: HISTORY vs. HIS STORY   4. TRADITION VS. MODERNITY

Anita Desai: “Studies in the Park” (1978) + Witi Ihimaera: “The Whale” (1972)

Focus: tradition and modernity   5. ROMANCE ALTERATION

Tennessee Williams: “The Field of Blue Children” (1937) + Kurt Vonnegut: “Runaways” (1961)

Focus: Romance as generic writing formula (cliché)   6. AMBIGUOUS NARRATIVE PERSPECTIVE

Ambrose Bierce: “An Occurrence at Owl Creek Bridge” (1890)

Focus: ambiguous narrative perspective   7. LITERARY MINIMALISM

Ernest Hemingway: “Hills Like White Elephants” (1927) + Henry Lawson: “The Drover’s Wife” (1896)

Focus: literary minimalism   8. THE CONCRETE CHARACTER OF POETIC LANGUAGE

Sylvia Plath, Elisabeth Bishop, Philip Larkin: selected poems

Focus: the concrete character of poetic language   9. COMPLEX SIMPLICITY ee cummings, Ezra Pound, Robert Frost: selected poems

Focus: complex simplicity   10. SPACE AND IDENTITY

Doris Lessing: “To Room Nineteen” (1963) and Fay Weldon: “Weekend” (1978, 2009)

Focus: space and identity

Annotation

This is a one-term course focused on close reading of Anglo-American literature, chiefly prose. Save for several exceptions it explores the writings of contemporary authors. The seminar texts are selected with regard to their content, format and the language in which they are written, so that they are properly suited for in-class close reading. The texts are analysed both through the prism of both traditional and modern critical methodology, fermented by what has become known as RWCT

(Reading and Writing for Critical Thinking) methodology.