Syllabus
1. Principle of secondary chords
2. Secondary dominant triad and dominant seventh chord3. Secondary sevnth chord at the seventh grade
4. Use of secondary chords in practice
5. Alteration, altered dominants
6. Altered sevnth chord at the seventh stage
7. Altered secondary dominants
8. Chromatic modulation
9. Enharmonic modulation
10. Extended tonality
11. Evaporated chords
12. Chords of non-third and free interval construction
13. Principles of counterpoint in 3 voices and characterization of instrumental counterpoint
Annotation
Fundamentals of chromatic and contemporary harmony, basics of vocal counterpoint in 3 voices and of instrumental counterpoint