Sylabus
Tematické celky:1) An introductory lecture: a) adaptation as functional equivalence, b) audiovisual media and 2nd language acquisitionAnalogies and contrasts (O. Wilde: The Importance of Being Earnest, Irvine Welsh: Trainspotting)2) Film as a sociological probe and a cautionary taleDan Rosen: The Last Supper3) Modernist narrative techniques and its visual counterpartsWoody Allen: Match Point4) The courtroom novel between page and screen ITom Wolfe: The Bonfire of the Vanities5-6) The courtroom novel between page and screen II (analogies and contrasts)Harper Lee: To Kill a MockingbirdDavid Guterson: Snow Falling on Cedars7) Rhetoric and body language (diegesis vs. mimesis)Tom Stoppard: Rosencrantz and Guildenstern Are Dead8-9) Cultural liminality I - tragic mulatto (a text-film-radio play juxtaposition)Alice Dunbar Nelson: The Stones of the Village (short story / radio play)Philip Roth: Human Stain 10) Cultural liminality II - a film-film juxtapositionHanif Kureishi: My Son the FanaticJohn M.
Coetzee: Disgrace11) Cultural and historical determinacy - a film-text juxtapositionWiti Ihimaera: Whale Rider
Anotace
Kurz se zaměřuje na porovnávání diegetických a mimetických způsobů uměleckého vyjádření, tedy obrazu coby zástupnému elementu slova. Leitmotivem je pojem „funkční ekvivalence“, s nímž se nezanedbatelná část studentů již setkala v překladových seminářích.
Tematické celky: 1) An introductory lecture: a) adaptation as functional equivalence, b) audiovisual media and 2nd language acquisition
Analogies and contrasts (O. Wilde: The Importance of Being Earnest, Irvine Welsh: Trainspotting) 2) Film as a sociological probe and a cautionary tale
Dan Rosen: The Last Supper 3) Modernist narrative techniques and its visual counterparts
Woody Allen: Match Point 4) The courtroom novel between page and screen I
Tom Wolfe: The Bonfire of the Vanities 5-6) The courtroom novel between page and screen II (analogies and contrasts)
Harper Lee: To Kill a Mockingbird
David Guterson: Snow Falling on Cedars 7) Rhetoric and body language (diegesis vs. mimesis)
Tom Stoppard: Rosencrantz and Guildenstern Are Dead 8-9) Cultural liminality I - tragic mulatto (a text-film-radio play juxtaposition)
Alice Dunbar Nelson: The Stones of the Village (short story / radio play)
Philip Roth: Human Stain 10) Cultural liminality II - a film-film juxtaposition
Hanif Kureishi: My Son the Fanatic
John M. Coetzee: Disgrace 11) Cultural and historical determinacy - a film-text juxtaposition
Witi Ihimaera: Whale Rider