Annotation
The Series
The visual series documents the cultural range of attempts to approach the ideal of recreating suc-cessive experience with the help of technical replication in pictorial media. The central question is how the apparently lifeworldly-natural desire for successive-continuous simulation of the self-realization of life has driven the development of technical image production and how, against this background, actions that intentionally seek to establish the discontinuous are to be understood and classified. In this context, imaginative or pictorial presentation is primarily concerned with the rela-tionship between what and how: the focus on content and narration versus the emphasis on form and the rupture of narrative consistency.