Abstract
The article studies various interpretations of mores (ethos, mœurs) in French 17th-century theory and dramatic poetry. The works of Jean Chapelain, La Mesnardière and Corneille are examined in detail.
The article studies various interpretations of mores (ethos, mœurs) in French 17th-century theory and dramatic poetry. The works of Jean Chapelain, La Mesnardière and Corneille are examined in detail.