Abstract
Vocal music in the works of Boris Ivanovich Tischenko takes značitelnejšee place. In addition to large vocal-symphonic works (symphony "Marina"Requiem to the poems of anna akhmatova, Sixth symphony), peru Tishchenko belongs to the five cycles for voice and piano, as well as a number of vocal ensembles for other compositions.
One of the most important components of the concept of the "Requiem" of anna Akhmatova-Tischenko are the problems of morality, the struggle of good and evil in the field of human souls, so topical for the 20TH century, as well as memory and eternal dialogue times and styles. Tishchenko not only sensitively "read" and "sound "text Akhmatova, but also highlighted in it additional senses, historical and stylistic associative series, and implications.
Tishenko many of the works are constructed on the basis of mutual penetration of genres. So, in the vocal cycle "DRAWING" repeatedly, you can observe the upgrading and the enrichment of one genre to another (the way it sometimes carries out the search of new genres and in all the history of music).
Thanks to a combination of genres in the vocal cycle is achieved by multiple interpretations not only shaped the world each part, but also of the programme of work.