Abstract
The article covers the concourse of the present painter Martin Kolář's exhibition and the digital projecting installation in the Czech Statistics Institute (CSI) by Hanzlík and Mrkus. Concerning Kolář the essay evaluates his strict painting experiments, respecting sensual and emotional impacts of layering and repeating peculiarly created elements.
The work of the artistic duo BOOT-AV is basically permanent visualisation of the dates from the CSI in the form of the specific graph. Though technical design and esthetical impact could be critically commented.