Abstract
This critical text elucidates, with the help of the able critical hand of J. Hillis Miller, the myriad influences on cultural-studies, on literary theory, and on philosophical culture, of the key master-tome Glas (1974) by the Algerian-French philosopher, Jacques Derrida.
In so doing, the critical piece articulates the creative and academic space that Glas opens up for others innovatively to inhabit and to develop for a more sensitive inter-disciplinary critical mindset and compositional practice.