Publikace na Filozofická fakulta |
2014
Abstrakt
The article addresses again Max Brod's study "The Prague Circle" from 1966 and understands thereby Max Brod's description of the German literature of Prague based on his model of successive and simultaneous circles as a more appropriate alternative to Eduard Goldstücker on the second Liblice Conference proposed model of the one (and only) Prague German literature. Nevertheless, even Brod's model is not so easy to assume to be a correct representation, especially as it becomes clear that he derives Franz Kafka texts entirely of his alleged identification with Zionism and him and Prague circles of the early 20th century as all based on a "absolute" or "transcendental realism".