Abstract
The study focuses on the first complex retrospective artwork by Vladimír Kopecký (*1931), presented by Museum Kampa. Kopecký's art origins and grows up in the environment of various languages of post-war arts, as action painting, tachismus, informel, arte povera, and neo-constructivist geometry as well.
The author in the way of multi-level and diversified personality shows their symbiosis of mutual consonancy and reinforcement. Many latest pieces of art collaborates with the coexistence of the geometric frames and wild colourful explosions.