Publication at Catholic Theological Faculty |
2014
Abstract
The Author has discovered a further forgotten drawing, which is a part of the Collection in Bratislava National Gallery and which has thus so far remained unpublished. It can be classified among the drawings by Antonio Campi which partly document the frescoes, now destroyed, in the apse of the cathedral in Lodi, and at the same time bear testimony to the creative process which led to the painting of these monumental frescoes.