Abstract
The paper examines the use of myth in works of new generation of Canadian Indigenous writers. The discussion is focused specifically on the form and meaning of myth presented in works of two emerging authors, Leanne Betasamosake Simpson and Richard van Camp.
Unlike the previous generation which predominantly engaged in comparing and contrasting the Indigenous and the Euro-Canadian (mainly Christian) myths, recent generation of authors tends to turn their attention to the heritage of Indigenous myths, trying to find a way to connect the stories of their ancestry to contemporary life. Richard van Camps' characters are often people influenced by street life, drug abuse or alcoholism, people coming from shattered families trying to pull together their identity and place in the community.
Coming to terms with Indigenous myths is frequently the starting point. Understanding myths and the teachings they provide is crucial for grasping Indigenous theory and perspective.
Leanne Betasamosake Simpson explains myth in her book Dancing on Our Turtle's Back as a source of strength and resurgence for Indigenous culture. Authors of the emerging generation shift perception of myth from narrative expressing cultural differences to narrative recovering Indigenous identity and community.
The changes in the use and representation of myth in their works map an interesting literary and cultural development.