Canticum gloriosae Deiparae Virginis Mariae. Vocal polyphony in the Museum of National History in Slaný

Abstract

At the beginning of 2014 was found two very interesting sources of Renaissance and early Baroque vocal polyphony. In the first case it is a convoluted three printings magnifikant and motets by various authors from the early 17th century, in the second, then a set of three prints songs probably the most famous personalities of the High Renaissance - composer Orlando di Lasso.

Keywords

• vocal polyphony
• Renaissance
• early Baroque
• Orlando di Lasso