Concerto for the Universal Algorithm: Paik, Moorman, Youngblood, Flusser

Abstract

This paper examines the "relationship" between sound/image/performance in the collaborative work of Nam June Paik and Charlotte Moorman, within the framework of Paik's "experimental TV," Gene Youngblood's "expanded cinema," and the evolution of the "technical image" envisaged by Vilém Flusser (and augmented by recent developments in "accelerationism").

Keywords

• Paik
• Moorman
• Youngblood
• Flusser
• experimental TV
• cinema
• image