The Fresco by Cosmas Damian Asam in the Church at White Mountain as a Statement of Bavarian Power Aspirations

Abstract

The article analyses the iconography of the central fresco in the pilgrimage Church of Our Lady of Victory in Bílá hora (White Mountain) by Bavarian artist Cosmas damian Asama (1727/1728).

Keywords

• Cosmas Damian Asam
• White Mountain
• Karel Albrecht
• F. X. I. von Wilhelm
• Munich
• Wittelsbach