The author gathers and compares a large number of interviews with prima ballerina Astrid Štúrová-Kočí. The famous dancer gave the journalists and historians many different interviews during her career and after, L.
Rajlová points out the change of the subject in the interviews in relation to the life period of the interviewee, intention of the interviewer and political conditions. The most interesting subject matter of the analyses is the reflection on the director of National Theater and husband of the prima ballerina Přemysl Kočí.