Abstract
In this article we focus on the possibilities of the appropriation of rap music in the Czech Republic by far-right groups. In the first part we look at the relationship between far-right and music scenes in other European countries as well as in the Czech Republic, in particular the relationship to hip-hop.
In the second part we look at two groups, Duoradikal and Fuerza Arma. Using the method of content analysis, we focus on the themes expressed by the two groups (and solo projects of their members), in order to see whether they could be labeled as White Power Music.