Publication at Faculty of Arts |
2019
Abstract
The article is part of the series presenting the main topics of the HERA Sound Memories project (soundme.eu). The article presents the most important types of musical sources from the university milieu in the 14th and 15th centuries.
Besides records documenting the individual interests of students in both spiritual and secular lyrics, there are official songbooks for the college liturgy. Despite their official layout, they bear witness to the specific creativity of the students at that time.