Abstract
This article analyses explicit references to music in the novels of the Danish-Bosnian writer Alen Mešković Ukulele-jam (2011) and Enmandstelt (2016). Mešković is a traditional representative of migration literature because he experienced migration himself and reflects his experiences in his work.
Music plays a crucial role in both his novels and appears primarily in the form of explicit references to various Yugoslavian and English singers and songs on the text level.