Publication at Faculty of Humanities |
2019
Abstract
The text deals with the problem of a communicative model of artworks. With the help of Derrida's deconstructive reading of Kant's Analysis of Beauty and Deleuze's conception of affect aims to introduce a basis for a new model of communication in the sphere of artworks.
This model combines a paregon as an operative function which creates a trace allows the definition of the shift and movement as a constitutive feature of teritorritoriality of artwork, with affect as a possibility for recognition minimal level of quality change inside of territory. So the model is based on specific understanding of the time and spatiality of perception.