Abstract
The text deals with the synergy of the senses involved in the perception of the reality in question in the movement of man, either in a familiar environment or in the environment in which he / she first came. But also in the field of art, which reflects reality.
Drawing, painting, graphics, but also restoration of historical works of art. Just as the perception of, for example, the landscape, as well as the creation of a work of art or its subsequent perception by an observer, we believe that eyesight is the only meaning that mediates visual perception.
In fact, however, the visual perception is significantly complemented by other senses that significantly modify the creation of an image of anything or the creation or observation of an image in the form of a work of art. In his own creation, touch, smell, even hearing can be partially attached to his eyes.
In our hands we feel an artistic instrument whose footprint we perceive not only by eyesight, but by touch and hearing we can feel its characteristic movement on canvas or paper, by smelling the used solvent. All these perceptions mediated by the sinergy of the senses are largely involved in the creation itself.
The particular music in the car very strongly influences the perception of the surrounding landscape. Can change its color and dynamics of hierarchization behind the windows of passing objects and elements.