The topics of the article are the decadent tendencies in the poetry and life of the first Slovenian female lyricist Vida Jeraj (Franica Vovk, 1875-1932) who was a vital part of the Slovenian modernism network (}}Slovenian moderna(() in Bled (Zasip) and Vienna. She began to write in the context of the transformation of Central European culture of which Slovenia was a part of until the end of the First World War.
Jeraj belonged to the generation of young cosmopolitan women writers who broke through in in the Fin-de-Siècle period in Slovene society, at that time the periphery of the Austrio-Hungarian Empire. In her literary work we analyse poems expressing motives of death.