Abstract
The article deals with the ways of displaying individual parts and also the overall panorama of town Kutná Hora, especially in the 19th and early 20th centuriy. It is based on the assumption that painters, draftsmen, vedutists and photographers solved similar tasks, most often in the selection of the ideal section of the depiction of the town, and attempts to compare liaison and different facts between the media in a defined period of time.
In the article, there is a brief description of development of urban veduta, its local specifics, and on specific cases the transfer of motifs among the media is described. The role of Kutná Hora drawings and photographies in connection with the beginnings of historic preservation is defined in the connection with reconstruction of the st.
Barbara's Cathedral.