Abstract
Paul Cézanne, considered the father of modern painting, pondered its essence, simplified shapes and space, and his paintings continue to excite the audience with a refreshing purity of expression and emotional power without obvious emotion. The depiction and "embodiment" of reality in a way parallel to the phenomenalism of Edmund Husserl and Martin Heidegger gave his works an ageless impact.
The lecture is realized for the cultural public within the third role of the university in the original author's cycle Artist and Man.