Abstract
Johann II, Prince of Liechtenstein (1840-1929), was an eminent art patron, who significantly enriched the centuries-old family collection. This paper is based on the thorough analysis of unpublished archival material, foremost the extensive correspondence between Johann II and German art historian Wilhelm von Bode and will be predominantly focusing on exploring their relationship as well as the contemporary dynamics of the European art market.
The correspondence in question covers the period from 1880 to 1925 and it elucidates how Bode served his prominent collector and what benefits and provisions he was seeking in return. It shows that Bode was influential in helping Johann II navigate the art market, often acting as an intermediary between the Prince and other art dealers.