Abstract
The chapter in the monograph of the Czechoslovak sculptor Mária Bartuszová (1936 - 1996) traces the parallels of Bartuszová's work, which emerged after her relocation from Prague to the eastern Slovak town of Košice, with artists of the Czech circle, in whose work we can consider different types of ideological parallels in the experimental interpretation of physicality and nature within the framework of the so-called "new sensibility" in the 1960s - 1980s..