Abstrakt
Describing the historical development of the mask (Laarve) 2 within the carnival tradition of the Basel Fasnacht (Faasnacht, Switzerland) during the twentieth and twenty-first centuries, this article offers a case study of the so-called reflexive turn in late modern ('post-traditional') societies. Drawing on the concept of ritual reflexivity, we argue that the gradual development of the Fasnacht masks into oversized constructions covering the ritualist's whole head (Laarve) went hand in hand with the development of various other ritual mechanisms aimed at facilitating within the ritual framework a meditative, inward-oriented stance (enstasis). 3 This is especially interesting as carnivals tend to be associated with precisely the opposite dynamics: transcending social norms through the celebration of excess and inebriation which, in its extreme forms, may lead to ekstasis (or at least a headache).
The described ritual elements are interpreted as a series of mirroring mechanisms nested within one another. The ritual handling of the Laarve by the ritualists (its donning and taking off at regular intervals) is then understood simultaneously as a facilitator and a marker fuelling and isolating individual phases of an otherwise non-discrete reflexive process.
Based on first-hand accounts of ritualists' experiences of mask-wearing, we will show how Basel Fasnacht walks a tightrope between 'modelling' and 'mirroring' societal, communal and idiosyncratic levels of meaning-making.