This talk investigates different cultural forms of class, historical context, and the redemptive commons, the latter of which may emerge from a split regal subject, one of which is the dethroned King Richard 2, and the other a Saint Richard-like martyr figure, as so many forms of social, experimental, unconscious, and aesthetic energy that both constitute and make Shakespeare’s play Richard II a powder keg, and pertinent to thinking about our contemporary situation in the twenty-first century.