Abstrakt
It will be shown that the film-immanent is about a structure that underlies all narrative contents and the movie as a final product. One could paraphrase this with the complex themes of corporeality and movement, so that the question of what moves in the movie still includes the other question: what moves the movie? What does the specific shape of the shot tell us in relation to the instrumental extension of the human body of the camera's operator who determines the perspective and the frame? Thus, it will be explained in which way film is the movement of the camera body, which makes movements visible in the presented construction of imaginative but reality-saturated worlds and becomes itself visible in the movements of this making visible.