Abstract
This article shows how the adoption of the uniforming notion of monotony can be utilizable for a reading of Portuguese neorealistic writer Manuel da Fonseca?s social poetry, by means of analysis of 2 his poems.
This article shows how the adoption of the uniforming notion of monotony can be utilizable for a reading of Portuguese neorealistic writer Manuel da Fonseca?s social poetry, by means of analysis of 2 his poems.